SECRIST | BEACH, 12 December 2025 – 28 February 2026
The time before and after daylight, when everything appears muted yet quietly spectacular, reveals a distinct and transitory palette. Capturing the fleeting and subjective perception of light and atmosphere, the works on view in The Sun Standing Still explore how color, devoid of literal representation, can evoke emotional and sensory responses.
Expanding upon ongoing investigations into the relationship between perception, space, and light, Luftwerk draws conceptual parallels to Claude Monet’s 1872 painting Impression, soleil levant (Impression, Sunrise), the work that gave name to Impressionism. Just as Monet sought to capture the immediacy of light, Luftwerk transforms that fleeting energy into sculptural and immersive forms, translating light itself into color and vibration.